Day Cravattitude.

(Part 7 of the series, "The Secret Life of the Tie.")

Chapter 85

This week, we continue our walking-tour of the various forms of proper men's neckwear, and take a look at the unique and versatile day cravat. The first thing to learn is, don't call it an ascot. I know, most people do...but they are WRONG, and that error leads to much confusion. The ascot, as we saw last week, refers to a formal cravat worn in the daytime. Logically, you'd think that would be the thing called a "day cravat." Nope: the "day cravat" is more closely allied with the scarf, worn under the shirt against the neck. It is not a cravat at all, and it certainly was never acceptable to wear at Royal Ascot -- unlike the ascot, which was.

Confused? Don't worry, most people are. Take a deep breath, and empty your mind of your preconceived ideas and anything you think you know on the matter. 

Now, absorb this: an ascot is a formal nœud Gordien or Ruche cravat, that is to be worn only with daytime formal wear. We covered it thoroughly last week. Nothing else is an ascot. 

Next, absorb this: a day cravat is a loosely tied scarf, worn a certain way under an open-collar shirt. Nothing else is a day cravat.

Finally, absorb this:

Jeremy Piven is one of those people who are confused. He thinks this is an "ascot," and since ascots are "formal," he can wear it with a tuxedo to awards ceremonies. Wrong, wrong; oh, how horribly wrong.

A day cravat is sports wear, that has been worn since the 1920s. It was a rakish, comfortable alternative to wearing an everyday tie. It is leisure wear. It is resort, lounge, casual, day wear. It is in no way, shape, manner, or form, anything remotely related to anything close to approaching formal wear.

This is an important point, which is why I'm drilling it into your skull. Because a day cravat is not dressy, the opportunities to wear it in one's everyday life explode into endless possibility. Consider:

1. It is comfortable, more than any other mode of neckwear. It is worn loose around the neck, under an open shirt collar.

2. It is versatile. It can be worn under anything with a neck opening: button-down or dress shirts, sweaters, even tee-shirts and jackets.

3. It is easy to tie, simpler than the easiest long tie knot.

4. It is casual: no jacket or waistcoat is required, it looks just fine with shirtsleeves, and doesn't look as "studied" as a bow tie.

5. It is subtle. Unlike a dangling long tie, a day cravat affords the barest bit of color and interest at the neck.

6. It is elegant. Subtle as it is, it adds a note of insouciance to any casual outfit, without glaring out or resulting in an affected appearance.

7. It is nearly universal. Just about any scarf or square or scrap of fabric can be pressed into service as a day cravat.

It is this last point, on the universality of the day cravat, on which we'll spend some time today. 

Day cravats can be purchased as ready-made items, of course. As a rule, they look like this, rather like wide-bladed ties that are pleated in the center. (Compare this to last week's ascot, and you will see that the two items look similar, but are made completely differently.) These can be purchased for the day-cravat-inclined, and are still sold in surprisingly large numbers by any number of retailers worldwide. Day cravat wearers are on the rise, although most of them will insist that they are wearing ascots. Like the ascot, ready-to-wear day cravats are not inexpensive, nor are they required for the novice or student cravatsman. Let's look at some day cravat options:

First, we'll make a day cravat out of a simple scarf. This one is silk, tasselled on the ends, and is 12 inches wide by 40 inches long: just fine for our purposes. (I picked it up at the local secondhand shop for a couple of dollars.) For this series, I'll use a neutral-color buttondown shirt over my tailor's form, to give a sense of the finished effect.

The first thing to do is lay out the scarf and fold it lengthwise into a narrow strap. For this one, folding in thirds, and then in thirds again, did the trick. Lay the strap across the back of your neck, the right end over the left. 

Then, (using long tie notation) tie the knot with a Li Ro Li Co -- essentially, a simple Onassis finish to a four-in-hand. Spread out the end of the scarf...

...and fold it down over the knot. Straighten the cascade...

...and button your shirt to the first button. (Only cads wear day cravats with two buttons unfastened!) Adjust to show as much or as little pattern as you wish. The neckband can sit proud of the collar, with a prominant puff to the front, or it can sit low, with just a bit showing out the front.

Several previous installments have extolled the virtues of wearing an unlined jacket on the beach or at a resort, worn with a scarf in lieu of a shirt, and Bermuda shorts. Here is an example of that mode, and it is just about the most comfortable thing you can imagine.

Now let's look at another option, this one a kerchief, 26 inches square. (Same secondhand shop, one dollar.) Diagonally, it measures about 40 inches: good for our purposes! To form the neckband, lay out the square in a diamond shape. Fold in thirds by bringing the top and bottom points in. Fold in thirds twice more. Lay the strap across -- this time keep the left hand short and the right hand long. Cross the right over the left, and form the knot as before...

...but this time, "unfurl" the point before making the final Co move.

Bring the point over and down...

...button up, and adjust. 

Here's the effect with a v-neck sweater instead of a shirt. (This is as much of a day cravat as you'd want to show: it works a bit better with a crewneck.) This looks quite sporty with a jacket. I have also mentioned the combination of a jacket, tee-shirt, and day cravat in a previous installment.

As you can see, a wide variety of scarves and fabrics can be used as day cravats. Most of these can be found in the ladies' section of Your Favourite Store. No fear, scarves are unisex for our purposes here. As long as it's at least six inches wide and somewhat longer than a yard long, it can be made to work. Remember that at most only a few square inches of the pattern will be seen under a shirt -- so a scarf that looks positively garish when seen all at once, may just work well as a day cravat. Keep your eyes and your mind open, scout for patterns, and you just may find pleasant surprises in the oddest places.

There is another option, that you may have in your closet right now. Yes, a common long tie can be made into a passable day cravat...but it requires a little minor surgery.

The back seam needs to be released about four inches up the back of the wide blade, to give a suitable width to the blade. Needless to say, don't do this with your favorite tie! Remove the label and tack-stitch, and then unzip the back.

After surgery. Leave the tip in place. You'll probably uncover the woolen interlining, but that's okay -- it won't show.

Pull the right end short, and cross over the left end.

Make the knot as before, spread the end out flat...

...and fold over the front.

The narrow end of the tie will hang down low. A convenient way to deal with this is to pull the narrow end up and pin it to the wide end. This will also give some weight to the blade and keep it from pulling free.

The effect after buttoning. Many secondhand ties that would be otherwise unwearable can be given second lives by wearing them as day cravats. 

So, we've seen that nearly anything can be tied under a shirt as a day cravat. Where, then, shall you wear it? 

In short, just about anywhere that you would go in shirtsleeves. Day cravats are sporty, outdoorsey things, just the ticket for those days when we slide into Autumn. Walks, picnics, croquet, bocce, lawn-bowling, or those sorts of traditional Anglophilic pursuits, of course. But, really, when's the last time you'd played bocce? I thought so. Think of it this way: you wear a long tie most days. On some days you wear a bow tie. That leaves a lot of days when you walk around with your shirt open. Nothing wrong with that -- you can't be buttoned up every day of your life. But now you have a little something new to put under your shirt on those days you do go tie-less. It's quick, easy, effortlessly elegant, and you just might get attached to them. You owe it to yourself to give it a try!

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You Bet Your Ascot

(Part 6 of the series, "The Secret Life of the Tie.")

Chapter 84

Well, here it is -- you knew it had to happen sooner or later. Yes, this week is your introduction to the ascot, the little-known, seldom-used daytime-formal neckwear option. Long ties are universal, and bow ties are becoming common enough that you may see one everyday, and you should certainly wear one at least occasionally. But a man can live his entire life and count with the fingers on one hand the times he's seen an ascot worn, and those usually only in the sort of movies that his wife watches -- and most men will play out their span of years never, ever having worn one. 

So woebetide the humble ascot, the orphaned neckcloth, the last remaining relic relegated to a bygone era of formalwear. It uniquely functions with one foot in the present and one foot in the past, but that doesn't mean it is a mode of clothing without purpose in today's world. 

For who wears morning dress anymore? Precious few even know what "morning dress" is, or when to wear it. Many "fashion bloggers" think that daytime formalwear is dead and buried, a relic of the nineteenth century. Others think it is a rigid and proscribed thing, that must be followed exactly lest one look an uneducated and bumbling fool, or (worse,) a poseur who doesn't know what he's doing. Both, are of course wrong, in Your Humble Author's perfect and inerrant opinion. 

Let's take a quick look and review a little, to make sure we're all singin' from the same sheet of music, so to speak. We've discussed evening wear a few times before, and critiqued countless celebrities, but rarely mentioned morning formals. Simply, formalwear is formalwear: the styles to be worn are different for daylight and nighttime, but they are worn to the same sorts of events. They aren't sombre or bleak, but party clothes, meant to be worn to festive events, balls, and situations where you should be enjoying yourself. The usual demarcation line is "before six" and "after six," but practically, it's the presence of sunlight when the event ends that counts. If the sun hasn't set when you're done -- morning wear. If the stars are out -- evening wear. Simple, in theory. 

The morning dress suit, is directly equivalent to the evening dress suit. They serve the same function, and represent the same relative level of formality. The cutaway coat sweeps away from the waist button and is quite long: longer than a tailcoat. Rather than black, the morning coat is dark grey. The trousers are light grey, in stripes or patterns. The waistcoat has a high crossover. And the colors --oh, the colors! Quite unlike the military precision and stark monochromatism of the evening suit, there is a tremendous amount of latitude in cut and color and expression in the morning suit. Unlike evening wear, much more particular attention must be paid to the season, the weather, and the venue, to use colors and patterns effectively.

The stroller suit is likewise the direct equivalent to the dinner suit. It is considered "undress," and in fact the stroller was not too long ago everyday business wear. In its particulars it is identical to the morning suit, with the exception of the jacket, which is not cut long. It usually has peak lapels and a single button, and is Oxford grey.

There are some critics that will descry the use of an ascot with a stroller, claiming that as an undress suit, it needs a fold collar and simple long tie. My response to that is simple: really? You wear a long tie every day of your life, you have one opportunity to wear a stroller, and you're gonna stick with another long tie? I say paugh to the pundits and nay-sayers: if you have an opportunity to wear morning dress, for crying out loud, for the sake of all that is beautiful and good in the world, wear it with an ascot.

That being said, let's look at the ascot itself. There is nothing more piteous than a pre-tied ascot, especially now in the twenty-first century when you may only have one opportunity to wear one properly! Study this diagram until you fully understand it. It's important. We will be referring to these seven steps throughout the remainder of this post.

You'll notice that an ascot isn't made like a long tie. For one thing, both ends are wide. You can purchase ascots today; most of them look like this, with wide paddles, a thin neckstrap, and a definite "right side" and "wrong side."

This, of course, makes the ascot a single-purpose item. Factor in that they are not inexpensive pieces of neckwear, and you have a couple choices ahead of you. The first is to make one yourself, or have one made for you. This illustration should tell you everything you need to know.

The other option is to do it the old-fashioned way, with a single piece of fabric. I picked this up at my favorite secondhand store. It's a woman's scarf, (I won't tell anyone if you won't,) silk, 4" by 70", and it's absolutely perfect for this purpose. It's just what would have been used historically. Like the rest of my tie demonstrations, I'm tying right on my tailor's form, without shirt or collar or waistcoat to get in the way of a clear view. Remember these are all worn with a waistcoat -- no exceptions -- and the collar can be either stand or fold. In keeping with the day/night symmetry, I would go with a stand collar for morning dress, and fold collar for the stroller, but that's just me. There are no hard and fast rules, really, and don't believe anyone that says there are. There are only traditions, and those traditions are not nearly so ingrained in morning dress as they are in evening dress, 

The first step is to fold the scarf over twice, to make a strap of about an inch to go around your neck. In the above diagram, this is Step 1, just before the LiCo maneuver in Step 2.

This is Step 4. At this point, take the two ends and unfold them to their full width.

This is Step 6...

...and this is Step 7, with the ends crossed and ready to pin to the shirt. A stick-pin is traditional, put through the two blades just below the knot, that hold the knot in place. 

To answer your next question, (you were going to ask a question, right?) this is the same knot, made with a scarf of single-thickness. These types of scarves are readily available, so it'd be great if they would work, but they are just too diaphanous and lightweight to hold the knot. You'd really have to go with a thick silk of double-thickness to tie an ascot, short of buying a purpose-built model.

If you've done your homework and studied the cravat constructions of a few weeks ago, the ascot should seem oddly familiar to you. Yes, this same knot, with a front-to-back-to-front wrap, is none other than a Cravate à l' Anglaise -- an unstarched Nœud Gordien cravat!

You can replicate all the classic cravats with a scarf like this, like this cravat à la Paresseuse. They have limited practical use because of the high neckline, BUT, with a high standing wing collar, you could have a bit of fun with a traditional cravat...at the right venue, when such a knot would be seen as a charming eccentricity, and not a gauche error in judgement. They tend to look more pleasant to modern eyes without the starch, but again that's just my opinion.

While we're talking about traditional knots, keeping the scarf folded along its length, and tying it in a simple square knot, results in the Steinkirk of yore, that we've looked at before.

The Ruche tie, which is simply an ascot tied like a four-in-hand, is sometimes used where the ascot would seem too showy, or where the personality of the wearer is not strong enough to carry off a true ascot. Some prefer the Ruche with a stroller, but as mentioned before, I don't hold with that. This example is tied with a Cross Kelvin knot, for a bit more interest.

The Ruche has roots in history, as this photo shows: it's not just a short-cut for those that don't know how to tie a proper ascot. Still, the universality of long ties makes the Ruche a bit twee as a formal option. I'd sooner wear it with an everyday suit!

The ascot can be approximated with a long tie. Although not my first option when others are available, this demonstrates that it can be done with acceptable results in a pinch. 

Why you'd find yourself at a daytime formal event with a suit but not a tie, I have no idea -- but in the interest of the acquisition of knowledge, I'll show you how it's done. 

We start inside-out and backwards, tying the thin end around the thick end. This would be Step 1. 

Step 2 would be a LoRiCo movement, like the beginning of an Oriental knot.

This is Step 4...

...and Step 6...

...and Step 7, ready to pin. As you can see, the thin end is completely covered by the thick end. With a stand collar, the neckstrap would have to be twisted so its right-side out, but it gives a very nice shape overall: the thick tie lining gives the knot some geometric interest.

The other method "normalizes" the tie ends, with the thick end tying around the thin end, also with a LoRiCo. It also starts inside-out. This is Step 1...

...Step 4...

...Step 5...

...and Step 7. The knot is large and square, and gives a much different ascot effect. This version looks nice with a fold collar.

So, to answer the rhetorical question posed earlier, who wears morning dress anymore? The answer: you can, if you go to the right venue. Full morning dress is still worn occasionally for daytime weddings in Europe and the UK, although strollers would most likely be the suit of choice for most American venues. Day outings, wine tastings, garden parties, luncheons, picnics, all hold promise for formal fun. If you want to exercise your right to formality, in most cases you'll have to be the instigator. Find a group of like-minded chums (or chums with like-minded wives, if it comes down to it,) and organize your own. You may have to blend in a few evening events to exercise those dinner suits as well. A Superbowl party with ascots and striped trousers? Why not? Why not, I say? 

Next week, we'll look at some more obscura, but this time, one that is much easier to actually wear. Stay tuned!

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Bow Diddley.

(Part 5 of the series, "The Secret Life of the Tie.")

Chapter 83

If you're just joining us, we've spent about a month on a Grand Tour of the History of Mens' Neckwear so far, and we're bookending that series with a month-long look at modern neckwear -- we are spending time on one distinct variation per week. By the time we're done here, you will know everything you need to know about making wise neckwear choices both common and esoteric. 

Just in time, too -- Labor Day is come and gone already, and before you know it the trees will be turning, the weather cooling, and the time for autumn coats and tweeds will be here. We discussed the turning of the wardrobes last year at this time, if you're in the mood for a more seasonally-relevant installment.

Last week we cast our gaze toward the long tie, so it follows that this week, we'll look at the counterpoint to the long tie: the second-most popular form of neckwear -- the bow tie.

It is the opinion of many popular fashion bloggers on the Interwebs, intelligent chaps many of them, that a bow tie should not be worn every day. 'At best, bow ties should be sprinkled lightly throughout your wardrobe, perhaps once a week or so,' they say. (They place no such bounds on the long tie, and would happily dictate that they be worn every day of your life until you die.) These bloggers, some with hundreds of thousands of loyal followers who hang on their every word, are adamant that a bow tie breaks some unspoken bound of propriety if worn with any regularity. 

Read closely, O followers of mine -- these bloggers are WRONG. Completely, utterly, wrong. There is absolutely nothing wrong or improper with wearing a bow tie every day of your life. Those that disagree, simply have an improper understanding of the bow tie.

Nye wears not the tie:
the tie wears Nye.

If your idea of a bow tie is a big, loud, jarring splash of color jutting out awkwardly under your chin, you can be forgiven for thinking a bow tie is only for the especially festive occasion, or where you really want to be the center of attention. If you've been a reader of Dress Like A Grownup! for any length of time, you know the thread that wends its way throughout all my posts -- my maxim for dressing well is balance. All parts of any outfit have to be in harmony with each other, and with your own personality. No one element must stand out or attract undue attention to itself, but contribute to a cohesive whole.

McCallum is McCorrect. See the difference?

This applies to the bow tie as well. The bow tie itself is unusual enough in its form, that its color and pattern can be muted considerably in comparision to a long tie, to preserve a balance in the outfit. Many mass-produced bows are, in my opinion, far too bright and garish for everyday use. The solution is simply to tone down its colors to be more in line with the palatte of your jacket. 

Most importantly, the bow tie is uniquely suited to complement the shape and size of your face. It frames the face, drawing the eyes of an observer up to your expression. It shouldn't overpower your face or dazzle an observer's eyes. Indeed, the tie itself should be unobtrusive, lending support but not taking center-stage. Women understand this better than men do, as a rule, for more of their clothing is designed specifically at directing attention to various parts of their anatomy. 

Any individual bow tie has limited flexibility in accommodating differing face shapes. The typical bow tie works with a wide variety of "normal" morphologies, fortunately. For odd face shapes, a well-crafted custom bow tie can work wonders in a subtle "normalizing" of wide jaws, long necks, pointy chins, jowly cheeks, or any number of facial peculiarities, by visually offsetting them with their counterpoint.

Knowing how to tie a bow, is of course prerequisite to being able to follow what we're talking about here. It's been mentioned in a previous installment, but here is a refresher course if you need it. There are two methods, some may find one way more natural than the other:

The First Way.

The Second Way. 

Now let's look at what can be done with a humble bow tie, merely through slight alterations in the cut. First, let's get a baseline reference with the average proportional standard for a bow tie.

This is the proportion to which most mass-produced ties are cut. It produces a smallish, square knot, which gathers the leaves into a dimpled pinch and gracefully curved butterfly-shaped silhouette. A tie should be sized so that the spread is equal to the width of your jaw, and the pinch through the neck should follow the prominence of your chin. (The ties' neck, that is: not yours. It's important to have the terminology well in-mind for this post.) This average proportional style will suit most men tolerably well. 

For men who are not "average," custom or bespoke ties are an appealing alternative for the bow tie wearer. For example, the standard sort of store-bought bow tie may look out of proportion on very large or small men, but a custom bow can be scaled up or down to suit large or small men as needed.

Let's look at what happens when we take this proportional standard, and change one dimension at a time. We'll start with a slight increase in the height of the leaf, while all the other dimensions remain the same. The shape of the butterfly becomes exaggerated, both in profile as well as three-dimensionality: the leaves curve out at the tips and the dimple deepens. The added height of the leaf causes both spread and knot to appear smaller. This can offset a short neck or double-chin, by visually emphasizing the point of  the chin, or adding verticality to the neck.

Next, we'll take the proportional standard, and increase the width of the spread.

The effect is the opposite of the tall leaf, and visually corrects the opposite issues, viz., a pointy chin or long neck, by emphasizing the horizontal lines.

Now, using the same proportional standard, we'll apply a tall knot, by tying the strap loosely around the neck, without compressing the neck overly much. This is a good method to counter a slender build with a weak chest, by giving the tie a flat, broad face.

This is the same proportional standard, but this time the strap is wide, perhaps to give a good effect to a stand collar. Tying a wide strap around the neck results in triangular leaves, well-separated, with a deep dimple running though a barrel knot. It tends to counter a husky build with broad shoulders.

A proportional standard tie can be constructed with a wide strap, by cutting the strap down just where it forms the knot. This separates the width of the knot and the width of the strap, which can enable the tie to compensate for multiple issues.

Reducing the leaf, neck, and strap to the same width results in a ribbon bow. The strong horizontality can offset many issues with over-verticality in morphology, especially a long or oval head-shape. 

Eliminating the neck from the bow, forms a "straight" or "paddle" shape. The leaves are gathered strongly into the knot, giving the bow a three-dimensionality and economy of line to help offset a lean or craggy face.

Adding pointed tips to the leaves, caused by finishing the ends along the grain of the fabric instead of along the bias, creates the "batwing" shape. The tapered leaves add visual width to the bow without bulk. It can help the square jawed, broad shouldered but thin build, more effectively than a tie with simply a wider spread, which adds bulk to the width.

A common way for bow ties to be constructed is without any sort of reinforcing lining inside. The resulting bow is quite floppy, and the fabric squeezes into a tiny knot. This was a popular style in the 1940s, as the minimal knot offset the broad-shouldered suits of the era. 

The postwar droopy bow tie:
Wear with caution.

The effect is decidedly insouciant, but there is always the danger that an unlined bow tie will appear too droopy and sloppy in today's dress-down world. 

Don't fear the bow -- give it a try, even if you never have given a thought to it before. Go to any men's store, and they'll have a few on hand. If you're lucky, your go-to second-hand store may have some as well. Go exercise your sartorial prowess*, pick out a sedate pattern in the proportionate style, and give it a try!

* If you have any doubts re: your sartorial prowess, read this blog from the very beginning right now.

Next week, we'll move on to a form of neckwear you definitely won't be wearing every day!

Stay tuned.

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